Wednesday, February 4, 2009
London
I had a very early start this morning, awaking at 5. 30 am, working on my PC for a while, then showering, eating breakfast and getting out of my flat by 7. 45 am to take the buses to the University College Hospital for my physiotherapy session. I reached there in under a half hour which was something of a surprise to me. Traffic seems to be moving a bit faster now on High Holborn--which is such a relief.
To my disappointment, I found that Paul is no longer working with me (he has been rotated to another division) and I now have a new physiotherapist--Claire Curtin--who says that she will be in this division for at least 4 months, so is likely to work with me long-term. I find this very annoying as I think the patient loses continuity with a health practitioner. This is also what is wrong about this NHS system--the patient has no control over who he is treated by. He just has to lump it and whether the physician is good or not, he has to stick with him. Anyway, I am not that bad now that my condition needs specialist attention, so I guess I shall just stay with Claire and hope for the best.
Nothing much came out of our session. She basically told me to continue with the same exercises that Paul had recommended. She drew them out for me because their computer is still not working (what??? Even after three weeks? How do these folks function?) However, it seems that Paul has made the referral on my behalf for the podiatrist, so I should be getting something in the mail asking me to see a podiatrist who will then recommend the orthotics that Paul thought I needed. So the rigmarole continues...Claire did massage my right ankle and told me how to do it myself and suggested that I see her again in two weeks time! She could not recommend the exercises strongly enough and told me not to stop, come what may!
I then took the Number 14 bus from Euston and rode on it all the way to Kensington. Now that I have finished my study of the National Gallery, I have turned my sights on to the Victoria and Albert Museum, known affectionately as the V&A. I had visited this museum only once, a few years ago, and been completely overwhelmed by its size and scale. I had taken a Highlights Tour then, but do not remember anything that was shown to me except for the Raphael Cartoons and a Cast Room. When I arrived at the Museum, a few minutes before 10 am, there were a couple of dozen people there already but the museum was still closed. At 10 am sharp, the heavy wooden doors were thrown open and I was the first person to enter the museum today!!!
After my bag was physically examined, I went to the Cloak Room to hand in my coat and bag, then went to the Information Desk to find out about Highlights Tours for the day. There were two at 10.30 am and 11. 30 am respectively that I thought I would take. Meanwhile, I got myself a Map and a list of 20 Highlights of the Museum and started to see those for the first half hour.
In the basement, I saw an ivory inlaid wooden cabinet by Fiammingo. Then in the Fashion Gallery (which is highly reputed), I saw a beautiful dress designed by Vivienne Westwood under inspiration from French artist Watteau. It was fashioned in emerald silk and was gorgeous. In the South Asian galleries, I saw Shah Jahan's exquisite wine cup, carved in white jade, featuring a flower on the bottom and the head of ram in its handle--truly beautiful! In the Islamic section, I saw the Ardabil Carpet, a gigantic carpet woven in Iran and containing over 4,000 knots per square inch. The Far Eastern Galleries held a really charming Bodhisatava called Guanyin and in the Japanese Armor section, I saw a suit of armor that was presented to Queen Victoria by one of the big gun shoguns of the time. These were the highlights I saw on my own.
At 10. 30 am, I went to the spot where the Highlights Tour began and met my guide, Jane Hampson. She was disappointed to find that I was the only one on the tour but she took me, first off, to one of the Museum's biggest attractions--The Raphael Room--where we were joined by another visitor originally from Egypt but now living in Australia. For the next hour, Jane took us on a very lively and interesting tour of the museum that included the following objects:
1. The Raphael Cartoons. (These water colors were the basis for the tapestries that hang in the Sistine Chapel in Rome. They were made in Mortlake on the outskirts of London. These belong to the Royal Family having been purchased by Charles I).
2. The Gothic Altarpiece featuring St. George and the Dragon.
3. A Chinese Red Lacquer Table and Throne.
4. The Eltenburg Reliquary (made of wood, whale ivory, and superb cloisonne work).
5. The Plaster Cast Room (with special emphasis on Trajan's Column--the original of which stands in Rome).
6. A Porcelain Pagoda and Export China in the Chinese Gallery.
7. The Thomas Grace Cup--a medieval ivory cup that is associated with Thomas a Beckett of Canterbury and was decorated during the Renaissance.
8. The Dacre Animals (saved from a stately English country estate before it burned down).
9. Sculpture of Neptune and Triton by Gian Lorenzo Bernini (one of his early works, showing similar compositional elements with his Bachannalia that I show at the Metropolitan Museum of Art in New York).
10. The Great Bed of Ware (this was made in the 1100s and there is actually a reference to it in Shakespeare's Twelfth Night--which, coincidentally enough, I saw last night!)
11. The Dale Chihuly Chandelier in the main lobby--this has always been one of my favorite pieces in the V&A and I recall taking a picture of it the last time I was there.
I thought the tour was superb and when Jane mentioned that she gives a special tour of the British Galleries at 12. 30 pm, I told her that I would join that as well. Meanwhile, I rushed off to join the 11. 30 am Highlights Tour, this one being given by a guide called Mina Renton. She took the group to the Raphael Cartoons, then moved on to "Tippoo's Tiger" in the South Asian Galleries.
The title of the work refers to a music box that is concealed in the body of a tiger that is seen devouring a British soldier. As anyone with any knowledge of Indian History knows, "Tippoo" is Tipu Sultan, who was known as the Tiger of Mysore. He defended his territory against the British onslaught throughout the 18th century (as had his father, Hyder Ali, before him). He was finally vanquished and killed in the Battle of Seringapatnam by Lord Cornwallis (yes, the same Cornwallis who was involved with the British surrender at York during the American Revolution!). Mysore then came under British control. I was surprised how huge this object is--for some reason, I kept thinking it was a small table-top model. When I saw that it was almost life size, I was shocked. It is so fragile now and can no longer be wound up to play the sounds that emanate from the dying young British soldiers who is being mauled by the tiger. This design, incidentally, is based on a real-life incident--a Captain Munroe was out hunting in Mysore when he was attacked and killed by a tiger. Tipu was delighted and amused by this occurrence and requested that an organ be made for him in this design. It happens to be the most popular item at the V&A and one that most visitors wish to see. This tour then wound its way to the Bernini Neptune, but since I was keen on joining Jane's British Galleries tour, I left it and returned to the lobby.
Jane's British Galleries tour was just fantastic. In the short space of just one hour, she covered such a great deal and explained things very clearly indeed. She went from the 1500s till the late 1700s and confined herself to the ground level only. The British Galleries continued on the 2nd, 3rd and 4th levels, but those I shall see on future visits.
These are the items I covered with Jane in the British Galleries:
1. A Morstyn Salt Cellar.
2. Henry VIII's Portable Wooden Writing 'Desk'.
3. The Bradford Table Carpet.
4. A Funeral Pall for the Brewer's Company.
5. A Medieval Baby wrapped in swaddling and a slipware cradle.
6. A Virginal used by Queen Elizabeth I.
7. The Drake Jewel (containing a miniature of Queen Elizabeth I and presented to Drake in recognition of his services to the country after the defeat of the Spanish Armada).
8. The Hunsdon Jewels (Presented by Queen Elizabeth I to various courtiers for services rendered to the country).
9. The marble bust of Charles I.
10. Fashionable Men's Wear in the Court of James I and Charles I.
11. A Mortlake Tapestry.
12. A Marquetry Cabinet.
13. A Sumpter Cloth (used to be thrown across goods in a wagon).
14. A Sculpture by Cornelia Parker entitled "Breathless" featuring real crushed musical instruments and suspended from the ceiling.
15. The Melville Bed from the Melville House in Fife, Scotland.
16. The Stoke Edith Tapestry from a country estate in Herefordshire featuring the estate's formal gardens.
17. The Badminton Chinoisserie Bed from Badminton.
18. A Marble Sculpture of Handel by Jonathan Tyers originally made for the Vauxhall Gardens.
19. A Selection of Chelsea Porcelain.
20. Four Painted Rococo Panels.
21. An 18th century Mantua or Court Dress of a Lady.
22. A Painting entitled 'The Duet' by Arthur Devis
23. The Norfolk Music House Room which originally stood in St. James' Square, London--later razed to the ground after a fire destroyed it.
24. A Selection of miniature portraits by Nicholas Hilliard.
I found it hard to believe how much I covered in just two and half hours. That's why I love these tours!
When Jane and I got talking at the end of the tour, I happened to mention my Plantar Fascittis (which had caused me to sit wherever I could find a seat or bench on the tours) and Jane informed me that she had the same thing, a few years ago. Apart from the massages and stretching exercises, she recommended what her physiotherapist called Contrast Bathing! What??? She told me this meant that I needed to sit with two big bowls of water side by side. One should be filled with water as hot as I can take it, the other filled with water as cold as I can stand it. You are supposed to place your feet for a few minutes in the hot water, then in the cold, the hot, then the cold. This apparently would expand and contract the muscles. Jane claims that ultimately this did cure her completely and, occasionally, when she still gets a twinge, she does this for a few minutes and she is right as rain, again! This sounds to me like Chinese torture but what the heck, since I have tried everything else, I am willing to give this a shot as well. She told me to do this while watching TV and I would not feel it at all!!!
I came home for lunch, caught up with email correspondence and tried to take a short nap; and then before I knew it, the time was 5. 45 pm and I left my flat for my appointment with Rosemary Massouras and Christie Cherian, her partner. We had decided to meet at the Sherlock Holmes Bar which is located in the Park Plaza Sherlock Holmes Hotel on Baker Street, just a block from the fictional 221B Baker Street where Sir Arthur Conan Doyle's Victorian detective Sherlock Holmes lived.
It was a lovely evening and over cider and white wine and some nibbles (hummus and pita, feta cheese and sauteed peppers), we chatted about a vast variety of subjects from travel and India, films, our children, my trip to Berlin, etc. Rosemary and I have decided to go together to the special exhibition on Byzantium at the Royal Academy of Art where she happens to be a member and she also wants to do a weekend trip with me somewhere--but is afraid she will not have the stamina to keep up with me, she says!
I took two buses back and got home at 10 am when I had a small bite to eat and after writing this blog, fell asleep.
No comments:
Post a Comment