Wednesday, June 10, 2009
London
I decided to visit Highgate Cemetery because travel writer Billy Bryson had raved about it on his video Notes from a Small Island. He had said that it was as good a place as any other to begin an exploration of the history of London as so many eminent figures from her colorful past were buried in this graveyard. Having surveyed Brompton Cemetery at the end of last year and been deeply impressed by the quality of the funerary statuary on the grave stones, I had decided that Highgate would be just as significant and off I went.
Remnants of the Dick Wittington Legend:
I have to say that Highgate Cemetery is not the easiest part of London to get to--for one thing, it involves a long bus ride or a Tube ride to Archway. Then there is a steep climb up a hill that is fatiguing and not considered very interesting. What made it fascinating for me, however, were the many reminders of the life of Dick Wittingdon scattered around the neighborhood. There was the Wittington Stone, for instance, with a black stone cat perched upon it. Carved on the stone were the dates during which Wittington was Lord Mayor of London (four times--in the 1300-1400s).
Just a little ahead lay the Turn Again Pub--the obvious reference being to the Bells of Bow Church which pealed, "Turn Again Wittington, Lord Mayor of London". And further up, I saw another reference to Wittington at The Wittington Arms Pub. Well, then, my curiosity could not be quelled any longer and I inquired of a female passer-by: "Why all these references to Wittington?" And she responded,, "Well, when he ran away from London, it seems he arrived here on Highgate Hill and sat down on a stone because he was weary. It was at this point that he heard the bells of a church ring out "Turn Again, Wittington, Lord Mayor of London". So, since it was on Highgate Hill that Wittington was inspired to return home, the place is chocful of reminders of that fateful day. Charming indeed and it made the trudge up that dreary hill on a rather dreary day (it was drizzling almost non-stop) tolerable.
Just when I thought I would be climbing forever, I passed by a stately mansion called Lauderdale House which was, for a short time, the residence of Nell Gwynne, beloved mistress of Charles II (remember the famous line, "Be Kind to poor Nell"--the instruction that the King left on his death-bed to ensure that she would be well looked after following his passing).
Just a few yards ahead, I saw the tempting entrance to a garden--a green oasis that beckoned. Unable to resist entry, I asked a strolling passer-by if the path through the garden (called Waterlow Park) would lead me to Highgate Cemetery. "Yes", I was told. "Just follow this path and you will see a gate leading to the cemetery". A few people walked in the park with their dogs, and toddlers skipped around in their little wellies--despite the bad weather--so I did not feel uneasy about being all alone in a wide open space.
Discovering Highgate Cemetery:
Before long, I was at the gate of the cemetery which is divided into two parts. The Western side (the older part) was closed and can only be visited on a guided tour that is given once a day at noon costing five pounds. The Eastern side (the newer part) can be visited for a 3 pound fee. I paid up at the entrance, received directions from the clerk there, though when I asked if there were any graves that I absolutely ought to see, she replied, rather airily, "Well, we don't do fame". She then went on to say, "It was only rich people in the 19th century that could afford to be buried in this cemetery..." She left her thought hanging in the air, but I guess her implication was that all human beings are equal in death and she couldn't fathom why anyone would want to see the grave of one person and not another.
Well, I was hardly in the mood to be philosophical on a rainy morning and, leaving her to her sense of proprieties, I decided to try to find my own way to the graves of three people:
--Karl Marx
--George Eliot (Mary Ann Cross Evans)
--Ralph Richardson (husband of Vanessa Redgrave and father of the late Natasha Richardson)
There were a few interesting bits of sculpture featuring angels and Celtic crosses right at the entrance which were rather worthy of a photograph. Some of the graves were beautifully landscaped, new roses bringing vivid dashes of color to the cemetery. Then, the lanes curved this way and that and it really was a matter of the lottery whether or not you would actually hit the grave you were seeking.
A leisurely ramble through the rather silent space brought me to the grave of Marx which is unmissable. There is a gigantic bust of the activist-philosopher atop a large pedestal which alone makes it the most prominent grave in the entire cemetery. Not too far away, a simple pink stone obelisk denotes the grave of Mary Ann Evans who had married a Mr. Cross and was known for a while as Mary Ann Cross. Of course, she is better known to us, her literary fan following, as George Eliot (the pseudonym under which she wrote). Her Middlemarch is one of my favorite novels in English Literature and it was more a matter of tribute to the writer rather than just tourist curiosity that took me to her final resting place.
I did not, however have the same luck trying to find the grave of Ralph Richardson and after wandering for a while past many Victorian graves but very few really noteworthy monuments, I returned to the main gate and then departed. I have since learned from my friends, Paul and Loulou, that the western side of the cemetery is certainly worth a visit on the guided tour as the mortuary sculpture is striking and far better than anything to be found in any other London cemetery. So, I shall, time permitting, try to make another trip there to catch the 12 noon tour one afternoon.
Following instructions from the clerk at the cemetery, I climbed another steep hill again that took me to Highgate Village where I caught a bus (the 210) that took me a few steps deeper into Hampstead to Kenwood House which was my next port of call.
The Glory of Kenwood House:
Another Robert Adam masterpiece (I have already seen Syon House and Osterley House, both on the Thames), Kenwood House came into the possession of Lord Guinness, the Earl of Iveagh (pronounced Ivor), in Ireland, who in 1927 bequeathed it to the nation with the clear stipulation that no money should be charged to any one wishing to view the fabulous art collection that he and his ancestors had amassed. Therefore, though it is managed today by the English Heritage, entry to Kenwood House is free of charge to the public. Because it is so close to the city of London and so easily accessible, I was surprised that I did not see more people on the afternoon that I was there.
My exploration of the extensive property that surrounds this marvelous 18th century mansion started at the Brew House Cafe where I ordered a cafe au lait and sat myself in the garden under one of the wide canvas umbrellas and ate my homemade parma ham and blue cheese sandwich and sipped my coffee which was wonderfully warming on the rather chilly day. Though the rain had stopped and blue skies had become evident by this point, it was still rather damp and I was glad I was exploring an indoor space.
And so began my exploration of Kenwood. It is a grand mansion to be sure, its imposing entrance beckoning the visitor with its Neo-Classical columns and a portico. Once inside, the Robert Adam entrance is enchanting and so easy to view as the ceiling is lower than most grand manors. This brought the plaster work almost within reach as also the medallion paintings by Italian Antonio Zucci who worked closely with Adam on these classical interiors.
A tour of the rest of Kenwood involves a leisurely walk through its magnificent rooms that are filled with Adam designed furniture pieces, a plethora of quality paintings featuring the English artistic giants of the era such as Sir Joshua Reynolds (there are loads of portraits by him) and several large canvasses by Thomas Gainsborough.
The Dining Room has the best collection of works centering around a totally charming canvas by Vermeer, one of only five Vermeers in Great Britain, entitled The Guitarist and supposedly a portrait of his 15 year old daughter. His wife had sold the painting to pay household bills and Vermeer was determined to gain it back--confirming scholarly opinion that it was quite possibly a portrait of his daughter that he wished to retain within the family. There is also a superb self-portrait of Rembrandt in middle age which I have seen reproduced a gazillion times in several different places. To see the real thing was for me so moving and the beautiful manner in which it has been lit truly did it justice.
The Robert Adam Library is really the high point of the house as is the Music Room, both of which have a clutch of high quality paintings and some really fabulous furniture. Everywhere, the collaboration between Robert Adam and Josiah Wedgwood was clearly evident as Wedgwood was so completely inspired by Adamesque interiors that he made his famous Jasperware in imitation of Adam's look and for those of us who cannot have Robert Adam decorate a room, well, there is always Wedgwood pottery that can be purchased to replicate the feel of it!
Kenwood House also has a large collection of 17th and 18th century paintings of aristocrats close to the monarchy during what was its most turbulent time--The Puritan Overthrow of the Monarchy and its subsequent Restoration. This collection, known as the Suffolk Collection, is beautifully exhibited in a series of rooms and each of them has also been brilliantly curated. This allows the viewer to make a study of each one and receive a composite idea of the history of the period and the doings of its key players.
There is also a fascinating collection of 18th century shoe buckles--an accessory that played a very functional role, as well as a decorative one, at a time before laces came into vogue. Indeed, there are a series of paintings of the period that depict ladies and gentlemen wearing them on their high heeled, velvet-lined shoes, just as the presence of genuine old Turkish carpets are placed right beneath paintings in which they have been depicted. Called Lotto Carpets, they are named after the Italian Renaissance artist Lorenzo Lotto who usually portrayed his subjects standing on such Turkish gems and was able to replicate their intricacy so perfectly in his many works.
A word about the gardens: They are widespread and natural in the Capability Brown style--vast manicured lawns punctuated by occasional clumps of trees and the requisite lake not too far away. There were flower-beds filled with briar roses as well as the hot house varieties and large tall hedges formed out of rhododendron bushes that were blooming mauve the afternoon I visited. However, I was tired and unable to roam through the gardens though it was blissful enough to admire the property from the porch of the house.
So do go to Kenwood House if you can. I am surprised that I waited so long to get there. Though I have been meaning to visit this stately home for years, somehow I kept putting it off and how delighted I was that I finally did get to traipse through those marvelous rooms and see for myself how the other half lived in a bygone era.
A Get-Together at Sushil's:
It was a long way home on the bus but I had enough time for a shower. I tried to get partied up as I had to attend a get-together at the home of my friend Sushil at Holborn on Theobald's Road. Stepping into my new Prada shoes, I realized what a long time it has been since I have worn any kind of heels--my plantar fasciitis having forced me to live in flats! I was a little wobbly on my feet and rather nervous but the shoes were very comfortable indeed and despite the fact that I had to walk to the bus stop, jump into a bus on a day when the Tube strike was going strong and the crowds at the bus stops were chaotic, I did manage to get to Sushil's which was just three stops away.
I had a great evening as the gathering featured folks I had met before and folks I was meeting for the first time. I had a long chat with two lovely girls named Isabella and Helen who have been friends of Sushil for a long time and share a flat in Greenwich. They were friendly and very interesting and we did hit it off quickly. My other new friends Mike Anderson and his wife Nirmala were there too as was Cecil and we had a good time as we remembered Sushil's brother Romesh (whom I did not know) who passed away exactly a year ago. The get-together was a way of remembering his life and celebrating it and I felt privileged to be invited.
Sushil had been slaving for days to cook and clean and get his flat ready for the gathering. The red and white wine that Sushil had picked up on his "booze trip" to Calais, to which I had accompanied him several days ago, flowed copiously. There was rice and his signature beef curry, a dry fish fry, some fried chicken, a lovely delicious raita and a salad. And I realized how very long it has been since I have eaten Indian food on a regular basis. Funnily enough, I do not miss it at all. Indeed, my palate has become so cosmopolitan that unlike most Indians who simply cannot adjust to eating Continental food on a regular basis, I have taken to it almost without a thought. I realize that the only reason I eat Indian food at home in Connecticut is because Llew cannot do without his rice and curry. I, on the other hand, am more than happy with good Italian pasta, toasted sandwiches, hearty soups and salads and indeed that has become very much a part of my regular meals in London.
It was my friend Owen's brother Matt who was driving back to Kent who gave Isabelle, Helen and myself a ride back home--they to Greenwich, me not even a mile away in Farringdon. When I got back home about 11. 30 pm, I discovered that Loulou and Paul had arrived sometime during the evening. We said a quick hullo and though they had a very early start, we made plans to meet over supper.
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