Wednesday, January 22, 2009
London
White I adore London for its long and colorful history, there is a downside to this aspect of its charm. Road works! Ever since I can remember taking possession of this flat at High Holborn, there have been 'road works' at some point or the other along its length from Chancery Lane Tube Station to High Holborn Tube station. This plays havoc with the smooth flow of traffic along one of London's main arterial roads. This also means that you can never really time a journey by bus as it all depends on the vagaries of the road workers and their whims--they hold up buses while their construction vehicles are given priority and when one sits on the upper deck as I always do and have a view of all proceedings beneath me, it is often frustrating and infuriating. But then I have to remember that when you live in a city that has been a work-in-progress since the Medieval Age, you cannot complain.
I don't know whether this is purely psychological, but after my visit to Paul, the specialist physiotherapist, at Euston Hospital (my name for the University of London's Hospital at Euston), my legs feel much better. His exercises are more challenging and one of then requires me to lie down on a bed when performing it--which means that I cannot do it three times a day as I am invariably out and about in the afternoon--but they seem to be working already although he told me that I would not feel their effects for weeks. I have also resolved to be good and not walk for leisure anymore. If I take foot rest, the homeopathic treatment, perform the exercises and pray, I should hope to see a complete cure by May--when I hope to start walking the Jubilee Walkway in little spurts.
Awaking at 5 am, I spent an hour reading Bombay Tiger which has a completely different style from the rest of Kamala Markandaya's novels--though the content bears similarity to The Coffer Dams. After doing my exercises, spending a while blogging, having breakfast and taking a shower, I headed out the door for a long bus ride to Richmond that involved changing three buses.
It was a most unusual winter's days in London for it was bathed in golden sunlight under clear blue skies. I actually left the house today without an umbrella and just a small bag (though I did carry my camera) so as to avoid the load on my back. Changing buses wasn't a problem at all and I was actually able to ride in one of the historic Number 9 buses from Piccadilly to the Royal Albert Hall. I now have the hang of changing buses at Hammersmith Broadway Bus Station (at which point you walk through a shopping mall which always makes me feel as if I am back in Connecticut!). I arrived in Richmond at 12. 15 pm, recognized the shops on The Quadrant just past the main railway station and hopped off.
I walked quickly to the Tesco Metro to buy what has become a favorite sandwich (The Cheddar Cheese and Onion) and though it costs a mere pound, it is truly delicious. I also found a pack of four chocolate eclairs for a pound and with this lunch in the bag, I started on a short self-guided walk in Richmond from my book 24 Great Walks in London with the promise to myself that I would take long and frequent breaks and stop as soon as my feet felt strained.
It was such a perfect days for walking. In fact it was a perfect day, period. This is the very first time that I saw Barnes Bridge on a sunlit day and while I recognized it immediately from the bus, I wish I could have gotten off and taken a few pictures of it as the ones I have taken before on rainy days make it look so dour and forbidding. Once in Richmond, I found myself walking along short Duke Street towards The Green which was once a sheep pasture but is used today for a variety of sporting activities including cricket. I could not believe that just a few yards ahead of me were the remains of Old Richmond Palace from which the Tudor King Henry VII had reigned, where his son Henry VIII had been born and where his grand-daughter Elizabeth I had died. Destroyed, but for a small portion of it, by Oliver Cromwell, the seal of Henry VII is still embedded in one of the Palace Gates that marks the entry into a lovely evocative old Tudor Yard that contains the Royal Wardrobe Building.
Enchanted by this hidden treasure and moved by the fact that the remaining shreds of this building have seen so much bloody history (before Henry moved his court to Hampton Court Palace which he seized from Cardinal Wolsey--I can understand now why the egotistical Henry would never tolerate the fact that his lowly prelate owned a dwelling that was so much more magnificent than his own!) I walked along a delightful street with old attached 'cottages' that took me to the Thames riverfront where twin bridges stood right in front of me. The promenade along the river was just delightful and many people were out walking despite the wind and the rather chilly temperatures. I read up on the history of the Old Deer Park (which has no deer in it), then ate a sandwich and an eclair on a bench overlooking the water.
A little later, I found myself walking under the beautiful Richmond Bridge which is made of Portland stone and climbing the steps into O'Higgins Square to start a short climb along Hill Rise towards what my book describes as the only protected view in the UK--protected by a 1906 Act of Parliament. Personalities from Turner to Reynolds to Walter Scott have described it as 'the most unrivalled view in the country' and William Byrd, the founder of Richmond, Virginia, is said to have named the new colony in the New World because the view of his territory across the Potomac reminded him of just this view of London across the Thames at this site. Be that as it may, one of the 'owners' of this unsullied view today is none other than rock idol, Mick Jagger, who owns a house in The Ashburton, a block of grand terraced housing that overlooks the bend in the Thames at this vantage point.
I decided to cut short my rambles at this point as my pedometer (that I am now wearing constantly) reminded me that I had already walked more than a mile. I took a bus back to the center of town and from there found my way to the famous Richmond Theater for my 2. 30 show--but not before I popped into the Cancer Research Charity shop and found myself a lovely English bone china cup and saucer to add to my collection at home. It caught my eye because it was so unusual--a matt black background suddenly opens up to a white glazed border on both cup and saucer that sports the Greek key design. It was these differences in texture that so fascinated me and at 3. 50 pounds, I could not go wrong.
The reason I was at Richmond Theater was to see Alan Ackybourne's Tons of Money which stars Christopher Timothy whom I have grown to love so much in the TV series from the 70s and 80s called All Creatures Great and Small in which Timothy plays the role of Yorkshire vet James Herriott. I have to say that I was sorely disappointed, first of all, to discover that he had rather a small role (he played the Butler Spruze) and, second, that age has taken its toll on him so that he looks most unlike his younger self. He has filled out considerably, his hair has long abandoned him and his features too have changed. But for his voice (one can never change one's voice), there is little resemblance to the actor of old who so stole my heart away.
One of the many surprises of this afternoon was the presence in the cast of Janet Henfrey (who plays Mrs. Bale in the BBC TV series As Time Goes By). This is the second time I have seen her on stage--she was present in The Importance of Being Ernest starring Penelope Keith that I saw at the Vaudeville Theater at the Strand last March with my friend Amy Tobin). The play was entertaining but not worth the long hike to Richmond unless one combines it with a walk as I did. At any rate, the theater was only half full, but I swear I was the youngest person in the audience! Everyone around me was silver haired and was no doubt there out of nostalgia for the good old days of the telly when Christopher Timothy made evening viewing special.
Then, I was on the bus again headed back to the city because, unwittingly, I had booked tickets for two plays on the same day (not having my calendar with me when I had booked a ticket for Tons of Money in December when I had gone to see Peter Pan, the Christmas pantomime at Richmond Theater). I knew that I would arrive in the city rather early--my next show (Oliver starring Rowan Atkinson in the role of Fagin) was not until 7. 30 pm at the Royal Theater on Drury Lane (this is the third show I am seeing there after French and Saunders Live and another one whose name I cannot now recall).
Having about an hour to kill, I hopped off at Trafalgar Square hoping that the National Gallery would have a late evening closing--and how right I was. A quick look at "Today's Program" at the Sainsbury Entrance informed me that there was a free piano recital starting at 6 pm in Gallery 18. So off I went to take my place on a chair right in front of the baby grand piano that graced the gallery on a lovely Oriental carpet. The two performers of the evening were Kentaro Nagai and David Malusa, both from the Royal College of Music who kept me enthralled with an hour long program that included a fantastia and fugue by Bach, an unbelievable Ballad by Chopin, Iberian music from Spanish composes Mompou and Albeniz and a stunning work by Schumann. I could not have asked for a better way to spend an hour. This is what I most love about living in London. I come upon these cultural surprises in the most unexpected of ways and because I have so few commitments here, I can seize the opportunity to enjoy them as and when they present themselves.
Then, I was off on the bus again heading towards Aldwych where at Drury Lane, I hopped off to get to the Theater Royal. I keep forgetting how gorgeous the interior of these theaters are. This one is splendid--with fat putti adorning its walls in the lavish plasterwork along the ceiling and outside the boxes. The only horrid thing about this theater is that the balcony is about seven floors high--you feel as if you have scaled Mount Everest by the time you get to your seat--and being a 'graded' building, they cannot install elevators inside.
The auditorium was packed to capacity (as the play won some terrific reviews when it opened a couple of weeks ago). All around me were American college students, one of whom informed me that they were from Long Island's Hofstra University studying British Drama for a month during their winter break. They were fidgety and noisy (as American students usually are), made inane comments during the interval ("That scene with Bumble was so sexual. She wasn't supposed to hit on him like that" and "We were sitting at the worst possible angle for that scene"--it happened to be one in which Beadle's wife bared her cleavage in a seduction scene!). I enjoyed these comments but the very proper English lady sitting besides me was besides herself with outrage at the behavior of the sprightly Americans and at the fact that she had to "get up and down and up and down" to accommodate their frequent passage to and from their seats!
Oliver was superb. I did not realize that some of the songs I have known since my childhood (Oom-Pah-Pah, I'd Do Anything) are from this musical. Apart from the stars (Rowan Atkinson whom I first got to know as Mr. Bean is unforgettable as Fagin and he can sing!--as is Jodi Prenger as Nancy), the little guy who played the Artful Dodger was amazing. Sets were truly stunning and the recreation of Victorian England so appealing visually that for a while I seemed to have transported myself to a different world altogether. It was truly one of the finest shows I have seen since arriving in London in September and I could understand why the critics have been raving about it.
Two plays in the same day, a musical concert, a sunny walk in Richmond...truly it was a day packed with pleasurable activity and by the time I was riding the bus back home, I felt culturally saturated. I could only talk to Llew for a few minutes before I called it a night.
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